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    <loc>https://www.developingroom.com/event/new-research-in-ottoman-and-early-turkish-republic-photography</loc>
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    <lastmod>2026-02-14</lastmod>
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      <image:caption>Unidentified courtroom photograph. İstanbul Research Institute Photography Archive.</image:caption>
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      <image:title>Input Events - New Research in Ottoman and Early Turkish Republic Photography - Make it stand out</image:title>
      <image:caption>Unidentified courtroom photograph. İstanbul Research Institute Photography Archive.</image:caption>
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      <image:caption>Abdullah Fréres, Students, private school Ravza-yi Terakki, Albumen Print, Lot 9511, Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA</image:caption>
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      <image:title>Input Events - New Research in Ottoman and Early Turkish Republic Photography - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/ca85dcc4-d163-46da-ae6a-de09f5ea22e3/Nu%CC%88zhetiye+Public+Garden_image+for+Go%CC%88lo%CC%88nu%CC%88+talk.jpg</image:loc>
      <image:title>Input Events - New Research in Ottoman and Early Turkish Republic Photography</image:title>
      <image:caption>Postcard of the Nüzhetiye Public Garden (Garden of Union and Progress) in Manastır (Bitola), photochrom, postal stamp dated 1913.</image:caption>
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      <image:title>Input Events - New Research in Ottoman and Early Turkish Republic Photography - Make it stand out</image:title>
      <image:caption>1907 Terk-i Tabiiyet Photograph of the Simonian family from Bitlis, bound for Fresno. Courtesy of Başbakanlık Osmanlı Arşivleri (Prime Ministry Archives, Istanbul)</image:caption>
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      <image:caption>His Majesty Khedive Tewfik at the inner court of Edfu Temple, 1890-1899.</image:caption>
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  <url>
    <loc>https://www.developingroom.com/event/attention-distraction-print-matters-book-launch</loc>
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    <lastmod>2025-12-08</lastmod>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
      <image:caption>Arrested Armenians and Confiscated Arms - Diyarbekir</image:caption>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
      <image:caption>Ellen Auerbach, Self-portrait in Palestine, 1934/35. Akademie der Künste, Berlin, Kunstsammlung, Ellen Auerbach 160</image:caption>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
      <image:caption>Nona Faustine, “From Her Body Sprang Their Greatest Wealth,” Wall Street, 2015</image:caption>
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    <image:image>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/45652ea2-69ec-450e-bc65-2b35e8eed775/Noelle-Theard-headshot.jpg</image:loc>
      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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      <image:title>Input Events - Book Launch - Attention/Distraction: Photography in Illustrated Periodicals, 1910-1970</image:title>
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  <url>
    <loc>https://www.developingroom.com/event/jessica-brier-typofoto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-26</lastmod>
    <image:image>
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      <image:title>Input Events - Dr. Jessica Brier- Typophoto: New Typography and the Reinvention of Photography</image:title>
      <image:caption>A. Jacquer, View of Saint Louis, from album “Souvenirs du Sénégal,” 1866-67. Musée du Quai Branly, Paris.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Input Events - Dr. Jessica Brier- Typophoto: New Typography and the Reinvention of Photography</image:title>
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  <url>
    <loc>https://www.developingroom.com/event/photography-and-ai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/9a054505-7a70-466f-8996-c8b36f1d6aa0/Dall+E+3+sample+image.png</image:loc>
      <image:title>Input Events - Photography and Artificial Intelligence - Students Reflect</image:title>
      <image:caption>Lychee-inspired spherical chair, with a bumpy white exterior and plush interior, set against tropical wallpaper. Generated with Dall-E 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/c79e1c2a-abc2-47aa-ba41-966c87926aa6/Best+Result+Final+%281%29.jpg</image:loc>
      <image:title>Input Events - Photography and Artificial Intelligence - Students Reflect - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/600bf311-1440-4541-a571-72e8bbb5468b/u6334564267_reate_a_black_and_white_tintype_of_a_newly_marrie_575902e7-c7d5-428c-9b75-99bc5c409a7e_0.png</image:loc>
      <image:title>Input Events - Photography and Artificial Intelligence - Students Reflect - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/344a72ce-f391-424e-b6a8-0a14de545a37/refined_suburban_vs_urban_environment.png</image:loc>
      <image:title>Input Events - Photography and Artificial Intelligence - Students Reflect - Make it stand out</image:title>
      <image:caption>Diario Militar 1983-1985, National Security Archive (NSA), 1-2.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Input Events - Photography and Artificial Intelligence - Students Reflect - Make it stand out</image:title>
      <image:caption>Matthews_Mabelane</image:caption>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-ninth-graduate-student-colloquium-on-the-history-and-theory-of-photography-4bebk-l3p3w-5wasc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/cd4ed521-961c-448c-a9fc-db7820cde115/1232-719-Robert-Haeusser-Relative-Orient.jpeg</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
      <image:caption>Robert Häusser, Relative Orientierung, 1972. © Robert Häusser – Robert-Häusser-Archiv/Curt-Engelhorn-Stiftung, Mannheim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/7d964de8-ba37-4644-8997-5d8494de91f7/steffen_siegel_folkwang_k.jpg</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/f8a80acf-49c9-435e-a469-8a918c3b78d9/MWH+Voice+Figure.png</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
      <image:caption>Margaret Watts-Hughes, Voice Figure, c. 1880-90s, pigment on glass. © Rob Mullender and Louis Porter, London College of Communication. Image courtesy of Cyfarthfa Castle Museum &amp; Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/5612b32a-6f06-420b-9362-e303255e4738/Figure+1.+Camera-Obscura+illustration.jpeg</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
      <image:caption>Illustration of camera obscura</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/0e8352a0-a760-4164-a2e0-d70ea4975ca4/PresentationImageBC.png</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
      <image:caption>Diagrammatic representation of Samsung’s “AI-based detail enhancement” process. Samsung, 2024</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/c0b88edf-1ec6-43b5-b478-97691b307da1/Exhibition_At+the+Threshold_1.png</image:loc>
      <image:title>Input Events - The Futures of Photography: The Developing Room's Ninth Graduate Student Colloquium, held in collaboration with the Essen Center for Photography</image:title>
      <image:caption>Marc Ferrez, Cascatinha da Tijuca, ca. 1885. Coleção Gilberto Ferrez, Instituto Moreira Salles, Rio de Janeiro and São Paulo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-room-eighth-graduate-student-colloquium-z7d2a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/52c065b1-f679-4d45-8e11-0cc41cb056c0/H%C6%B0%C6%A1ng+Ng%C3%B4+and+H%E1%BB%93ng-%C3%82n+Tru%27o%27ng%27s+The+opposite+of+looking+is+not+invisibility.+The+opposite+of+yellow+is+not+gold-2016.jpeg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias</image:title>
      <image:caption>Hương Ngô and Hồng-Ân Tru'o'ng, from “The opposite of looking is not invisibility. The opposite of yellow is not gold,” 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/006a3072-cc2d-49b1-b8ad-991627563c81/jae-won-chung-sq.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/7777468e-29f3-4a7b-b691-6768151921f3/Lily-Cho-538-x-303.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/90e19ca0-50e4-45d0-bae4-5a95e408bdf9/Yasmine+Khayyat.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/b444f161-e0fc-4854-b51d-3a7e8d52567c/lanza_square.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/ca57ba3a-322a-4883-ad0f-afe73af8022f/Screenshot+2024-02-13+at+1.17.38%E2%80%AFPM.png</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Malala Andrialavidrazana, Echoes (from Indian Ocean), 2011-13. UltraChrome pigment print on Hahnemüle Baryta paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/8e26af63-6bba-4f8e-87b5-ce82217631ac/IN0561_002_post_as-Full+size+JPEG.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Installation view of the exhibition "Japanese Calligraphy." June 22, 1954–September 19, 1954. Photograph by Soichi Sunami. Photographic Archive. The Museum of Modern Art Archives, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/f9953614-caf6-400c-a8f6-e677fdd19b99/Karlekar%2C+Sushama+with+husband+1904.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Sushama with Husband, Prosanto Sen, 1904.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/cdb76922-b59c-4364-be06-fdd0a277fd6d/1972_Park_Saemaul+Album.png</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Park Chang-pyo’s New Village Movement Album, “A Narrow Road before It was Widened,” 1972.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/d87c441b-daa9-4a99-b0ad-828041ddd5eb/SCY2024-Methods+of+Memory.png</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Stills from “One Day We’ll Understand” performance, world premiere 30 August 2024, Esplanade Waterfront Theatre, Singapore. Courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/c66a17b8-f287-45a6-ba8a-024999cfe54e/Screen+Shot+2024-03-03+at+8.12.29+PM.png</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>“A Couple of Butterflies,” one of ten pairings in Peter Holst Henckel’s art installation, Couplings and Doublings (2013).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646993131151-AN8V1R2BFS0DACW2IOY9/Vero+profile+pic.JPG</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/5e22d610-def3-4dae-a4e3-7248b1bc7c1c/Nelson_6727.jpg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/594c6eda-45a6-4ac1-b368-1ef35b4cdb0a/Peter+Yoon_Updated.jpeg</image:loc>
      <image:title>Input Events - (Un)archived:  Photography Against/Along the Grain of Absence in Global Asias - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-seventh-graduate-student-colloquium-on-the-history-and-theory-of-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/a1645c14-a309-48ec-812f-a06fd7c1810a/SHO-11-Dandy-14hrslg.jpg</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
      <image:caption>Yinka Shonibare, from Diary of a Victorian Dandy, 1998</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/5a389633-fee0-4893-9891-e6a93d3b806b/kylie_thomas.jpg</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/547ea8db-52d0-4fd9-9b51-c0351522eaa6/Chewning%2C+from+Berlin-Kreuzberg.Stadtbilder+%28Public</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
      <image:caption>from Berlin-Kreuzberg Stadtbilder (Publica; Bezirksamt Kreuzburg), 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/7c8fa6e2-3672-4e9b-b6fc-936bbea7a69e/Fialho_Lola+Flash%2C+AIDS+Quilt%2C+Washington+DC%2C+1987.png</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
      <image:caption>Lola Flash, AIDS Quilt, Washington DC, 1987</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/ae48167b-2b2d-49a1-b3cc-6e3bb9aa2180/Menzo_Screenshot+of+Cultura+Drag+Medell%C3%ADn%27s+Facebook+page%2C+with+earlier+portraits+made+by+Benjam%C3%ADn+de+la+Calle.png</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
      <image:caption>Screenshot of Cultura Drag Medellín's Facebook page, with earlier portraits made by Benjamín de la Calle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/71733071-11ef-4aa8-a9a6-9b61ef8bc240/SloaneBritt_Doris+Derby.jpeg</image:loc>
      <image:title>Input Events - Photography and Resistance: The Developing Room's 7th Graduate Student Colloquium, April 27, 2023</image:title>
      <image:caption>Doris Derby, Southern Media staff member Larry Rand and civil rights workers at the Erwin family farm, Tougaloo, Mississippi, 1969</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/photographs-that-unmake-citizens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/c239b5a7-dd5a-49ad-9aa2-9afce9727570/Goldblatt-Young+Men+with+Dompass-1972.png</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens</image:title>
      <image:caption>David Goldblatt, Young Men with Dompas, 1972</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/024b7497-8205-454c-aaee-e5a98850f9f2/Boyakjian+family+expatriation+photo.jpeg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens - Make it stand out</image:title>
      <image:caption>Boyakjian family expatriation photograph</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/afc972e1-2989-4ef2-b467-a979a239867d/Zeynep+G-Headshot.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/0d1697a8-5598-4385-a607-e04d75c2cffa/oocihm.lac_reel_t6046.1.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/7777468e-29f3-4a7b-b691-6768151921f3/Lily-Cho-538-x-303.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/3f179ec5-0b88-4ae3-8696-32c7cb7f16d3/Diario+Militar+1983-1985%2C+National+Security+Archive+%28NSA%29%2C+1-2..png</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens - Make it stand out</image:title>
      <image:caption>Diario Militar 1983-1985, National Security Archive (NSA), 1-2.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/2514d9d0-98a4-4d45-8393-3ecfa4b831fd/Juan+Carlos+Mazariegos.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/6c9c3338-85b6-4353-a50d-0ce20e2c178c/Matthews_Mabelane_image_Kylie_Thomas-HigherRes.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens - Make it stand out</image:title>
      <image:caption>Matthews_Mabelane</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/fce90a00-f07b-40f4-8f9d-f88426b3863f/image-20180926-48637-daxg9q.jpg</image:loc>
      <image:title>Input Events - Photographs That Unmake Citizens</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/giulia-paoletti-contested-sights</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/86885d92-8850-406f-8ef0-4a1bdd5c98e6/A.+Jacquer%2C+View+of+Saint+Louis%2C+from+album+%E2%80%9CSouvenirs+du+S%C3%A9n%C3%A9gal%2C%E2%80%9D+1866-67.+Mus%C3%A9e+du+Quai+Branly%2C+Paris.+.png</image:loc>
      <image:title>Input Events - Prof. Giulia Paoletti - Contested Sights: Ghosts, Failures and Other Lives of Early Photographs in Senegal</image:title>
      <image:caption>A. Jacquer, View of Saint Louis, from album “Souvenirs du Sénégal,” 1866-67. Musée du Quai Branly, Paris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/744c7cd1-9998-4eda-b686-10ba1a4ee66b/Headshot_Giulia-Paoletti.jpg</image:loc>
      <image:title>Input Events - Prof. Giulia Paoletti - Contested Sights: Ghosts, Failures and Other Lives of Early Photographs in Senegal</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-sixth-graduate-student-colloquium-on-the-history-and-theory-of-photography-4bebk-l3p3w</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649732215693-56MYOWC8HCQQRHZNJRXR/Paulo+Bruscky%2C+s%C3%A9rie+Envelopes%2C+1977-2009%2C+mail+art.png</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
      <image:caption>Paulo Bruscky, from série Envelopes, 1977-2009, mail art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649733092442-E0LX9TRP08R8W6LW1T17/Lori+Cole.jpg</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649787049083-CVRB5SRRSWH8NCPKEU8V/Stackelberg.jpeg</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
      <image:caption>Arrested Armenians and Confiscated Arms - Diyarbekir</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649787208598-KUYJV69CIAKD376QF0WY/Monopoli.jpg</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
      <image:caption>Ellen Auerbach, Self-portrait in Palestine, 1934/35. Akademie der Künste, Berlin, Kunstsammlung, Ellen Auerbach 160</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649787229383-91QMSNOCDPS3SRTTI1H2/Steilau.jpg</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
      <image:caption>Nona Faustine, “From Her Body Sprang Their Greatest Wealth,” Wall Street, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1649787264159-SOCIAXUJ09LO09LQQ6W1/Kupfer.jpg</image:loc>
      <image:title>Input Events - The Developing Room's Sixth Graduate Student Colloquium on the History and Theory of Photography, April 29, 2022</image:title>
      <image:caption>Marc Ferrez, Cascatinha da Tijuca, ca. 1885. Coleção Gilberto Ferrez, Instituto Moreira Salles, Rio de Janeiro and São Paulo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-room-photography-islamic-mediterranean</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646414297582-F32R0DKUJG86A36F2JFF/Train+Station+of+Helwan-1888.jpg</image:loc>
      <image:title>Input Events - Photography and Making Modernity in the Islamic Mediterranean: Istanbul, Cairo and Ma'an, April 22, 2022</image:title>
      <image:caption>Train Station of Helwan (today Cairo’s main train station), 1880. Photographed by Adelphi Zangaki studio. Ken and Jenny Jacobson Orientalist Photography Collection, Getty Research Institute, 2008r3-3263</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646415702582-ZB62X087TUU4IQ1HZY2J/Gulru+Cakmak.jpg</image:loc>
      <image:title>Input Events - Photography and Making Modernity in the Islamic Mediterranean: Istanbul, Cairo and Ma'an, April 22, 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646415739446-95M2H91HDXJVLI751XX2/E+Neumeier_0.jpg</image:loc>
      <image:title>Input Events - Photography and Making Modernity in the Islamic Mediterranean: Istanbul, Cairo and Ma'an, April 22, 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646415766498-GK699B447LUVNNM2JHMI/Alex+Seggerman.jpg</image:loc>
      <image:title>Input Events - Photography and Making Modernity in the Islamic Mediterranean: Istanbul, Cairo and Ma'an, April 22, 2022</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1646415795776-A2PERITHNAZIAA2RULY7/Ashley+Dimmig.jpg</image:loc>
      <image:title>Input Events - Photography and Making Modernity in the Islamic Mediterranean: Istanbul, Cairo and Ma'an, April 22, 2022</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-fifth-semiannual-graduate-student-colloquium-on-the-history-and-theory-of-photography-4bebk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636200013906-RJANI1YO76YR3OJO7F68/Screen+Shot+2021-10-12+at+12.08.09+PM.png</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
      <image:caption>Tina Modotti, “Mella’s Typwriter,” 1928. Museum of Modern Art, New York. Anonymous gift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636200484164-ONQVSFJT4IBKVXXUC7UG/mb_blurb_photo_for_hsar_website.jpg</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636201137230-MUWV5ZNMAKFVYRG5AD7C/unnamed.jpg</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
      <image:caption>Arrested Armenians and Confiscated Arms - Diyarbekir</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636201480529-DW7CDHC2YAVO9J6PJNC6/cullen+headshot.JPG</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
      <image:caption>Ellen Auerbach, Self-portrait in Palestine, 1934/35. Akademie der Künste, Berlin, Kunstsammlung, Ellen Auerbach 160</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636201700382-70DW32847DRDZTVFF0CH/DSC03965.jpg</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
      <image:caption>Nona Faustine, “From Her Body Sprang Their Greatest Wealth,” Wall Street, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1636202066968-M4DOZCUERIJKWJ22LUB5/Mug+shot-sameena.jpg</image:loc>
      <image:title>Input Events - The Developing Room's 5th Semi-Annual Graduate Student Colloquium, November 19, 2021</image:title>
      <image:caption>Pioneer American criminologist Edward Oscar Heinrich’s crime collection opened at the Bancroft Library in December 2018. (Photo © the Regents of the University of California, The Bancroft Library, cubanc00005983_ae_a)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/photography-between-evidence-and-disclosure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-30</lastmod>
    <image:image>
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      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
      <image:caption>Muriel Hasbun, X post facto (6.7), archival pigment print, 2009/2013. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617339127828-RJGGXPGUHO7QP6RBZKTW/thumb_articles_blog_564_560.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617339194383-046AAWSQS7D3QFK32DUV/thumb_articles_blog_564_561.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617340269031-67L3MX652394XSI88ODK/Sarah-Elizabeth-Lewis_Headshot_Credit-S.-Rosner-1.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617340567567-RPT4JSL79JT92BT6OOC8/Mirzoeff.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617340715423-LA6FPRMJY02RT58WY1CC/Raab+photo+2020.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617340879625-46ADJYR9JIPW51L7AA91/Strassler_ks-portrait-022021-3.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617341099478-F0O92BRDG2Y97L4F1CRX/Duganne_MG_9242+copy.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617341595184-J7ZS9VGHGFX6ISET9D6F/silverman-headshot.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
      <image:caption>Stedelijk Museum Amsterdam, 2019. Credit: LNDW Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617341786603-02UEAHOEDR6V5H32ROKY/NDavenport.jpg</image:loc>
      <image:title>Input Events - Photography between Evidence and Disclosure: April 7 and 9, 2021</image:title>
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  <url>
    <loc>https://www.developingroom.com/event/laura-wexler-is-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1615493547729-BD74K7H3XHC83S38LTFN/clio_johnston_fig-6a.jpg</image:loc>
      <image:title>Input Events - Laura Wexler - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
      <image:caption>Francis Benjamin Johnston, At the Hampton Institute, Washington DC, 1890s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1615493879178-R805A2TT7R6FQRIHWGBR/laura_wexler.png</image:loc>
      <image:title>Input Events - Laura Wexler - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/fred-ritchin-what-is-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1614288159326-B3UDSC4D0A8HE41LU0SI/Synthetic+Human+Portrait.jpg</image:loc>
      <image:title>Input Events - Fred Ritchin - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
      <image:caption>One of numerous synthetic human portraits generated via styleGAN 2 AI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1614288378421-4Y737XDWW7SAPZLJNKD9/Ritchin_Fred.jpg</image:loc>
      <image:title>Input Events - Fred Ritchin - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-fourth-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1612718630261-HOKUF8POWOWS58JBRSPB/Askew_Thomas-Four+African+American+women+seated+on+steps+of+building+at+Atlanta+University+Georgia.jpg</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
      <image:caption>Thomas Askew, “Thomas-Four African American women seated on steps of building at Atlanta University, Georgia,” c. 1900.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1617298489149-YZ7RNQ0U5AXJYQYB42KN/Abbaspour.jpg</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1612719868772-6SMTX6FHHTGSYXZ0NZSS/Arrested+Armenians+and+Confiscated+Arms+-+Diyarbekir.png</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
      <image:caption>Arrested Armenians and Confiscated Arms - Diyarbekir</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1612720379974-EHULLMVT9I6J4JNR099H/EA-1934-35.jpg</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
      <image:caption>Ellen Auerbach, Self-portrait in Palestine, 1934/35. Akademie der Künste, Berlin, Kunstsammlung, Ellen Auerbach 160</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1612720746547-X7SXWL9WASJK11KO7IWG/Nona+slave+market.jpg</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
      <image:caption>Nona Faustine, “From Her Body Sprang Their Greatest Wealth,” Wall Street, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1612721440749-RSJ7NHXRHYVIT5GRQIDD/Heinrich-07-750.jpg</image:loc>
      <image:title>Input Events - Fourth Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
      <image:caption>Pioneer American criminologist Edward Oscar Heinrich’s crime collection opened at the Bancroft Library in December 2018. (Photo © the Regents of the University of California, The Bancroft Library, cubanc00005983_ae_a)</image:caption>
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  <url>
    <loc>https://www.developingroom.com/event/the-developing-room-batchen-negative-positive-seminar-feb2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1610964592629-HQUZGBY7T9MHM39QCAKB/Man+Ray%2C+Blanche+et+Noire%2C+1926+negative+print%3Agelatin+silver+photograph+.jpg</image:loc>
      <image:title>Input Events - Geoffrey Batchen: Seminar and Book Launch - Negative/Positive: A History of Photography</image:title>
      <image:caption>Man Ray, Blanche et Noire, 1926 negative print/gelatin silver photograph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1610965128497-IFF4SAJHZK5W8LDJ1B0K/IMG_6269.JPG</image:loc>
      <image:title>Input Events - Geoffrey Batchen: Seminar and Book Launch - Negative/Positive: A History of Photography</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/nicole-fleetwood-what-is-photography-d77yy-np6hh-lhg5j-ah85f-87hep-mz9h8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1604509061881-BVWE14KVJLAKGHIR1Q4P/MosesEl_SelfPortraitwithDesi-screenshot.png</image:loc>
      <image:title>Input Events - Prof. Nicole Fleetwood - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
      <image:caption>Michael Moses El, Self Portrait with Desi, PhotoChange LLC and Michael Moses El, 1985.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1602621460355-NVC2UFZQO69S2HY1A1K2/Nicole+Fleetwood.png</image:loc>
      <image:title>Input Events - Prof. Nicole Fleetwood - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/kaja-silverman-what-is-photography-d77yy-np6hh-lhg5j-ah85f-87hep</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1601712100425-A0PPCYNCZ7DKU27DMWGP/Abelardo+Morell-Camera+Obscura-Courtyard+Building-Lacock+Abbey-England-2003.png</image:loc>
      <image:title>Input Events - Prof. Kaja Silverman - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
      <image:caption>Abelardo Morell, Camera Obscura: Courtyard Building, Lacock Abbey, England. 2003</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1601712027819-3HRDMN4MVGHMMC2B28VS/Kaja+Silverman.png</image:loc>
      <image:title>Input Events - Prof. Kaja Silverman - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-d77yy-np6hh-lhg5j-ah85f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1599829835770-1MOZ15HWS3K80JD50B6I/Niepce_Cardinal_300dpi.jpg</image:loc>
      <image:title>Input Events - Prof. Steffen Siegel - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1599829975605-LKV4E7WE5NNM8XGSBA1L/portrait_s.siegel_web.jpg</image:loc>
      <image:title>Input Events - Prof. Steffen Siegel - Guest Scholar at the CCA Seminar "What is Photography?"</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-d77yy-np6hh-7sxe6</loc>
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    <priority>0.5</priority>
    <lastmod>2022-03-04</lastmod>
    <image:image>
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      <image:title>Input Events - Global Photographies. Rethinking the Medium's Identity</image:title>
      <image:caption>Hand painted photograph of Bhupal Singh, Maharana of Udaipur. ROM 2004.36.1</image:caption>
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    <image:image>
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    <image:image>
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      <image:title>Input Events - Global Photographies. Rethinking the Medium's Identity</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1599686417103-E3UJ5XVOXME55CFW532L/Headshot_Leslie+Wilson.jpeg</image:loc>
      <image:title>Input Events - Global Photographies. Rethinking the Medium's Identity</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1599686566494-LP3KLJT38JLWOFQV2P0G/Jennifer_Bajorek_headshot.jpg</image:loc>
      <image:title>Input Events - Global Photographies. Rethinking the Medium's Identity</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1599687023584-GNIHGLXGWNSJBLC157X1/Deniz+T%C3%BCrker.png</image:loc>
      <image:title>Input Events - Global Photographies. Rethinking the Medium's Identity</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-d77yy-np6hh-lhg5j-4g3ye</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1582476335930-L1DI1W7TWFISKEITAKZP/Vilensky_chto_delat_brecht_front_hr.jpg</image:loc>
      <image:title>Input Events - Photography, Film and Political Narration</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/https/wwwdevelopingroomcom/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-d77yy-np6hh-lhg5j-8mjew</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-23</lastmod>
    <image:image>
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      <image:title>Input Events - Doing Photography</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-5jzd8-2hf9f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-07</lastmod>
    <image:image>
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    <image:image>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1581265988653-2EPR46DULESDJTXLRLX5/Kaitlin+Booher.jpeg</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1600201447937-A9BBN5TT8J4G41Z8B1Q1/Colin+Young.jpeg</image:loc>
      <image:title>Input Events - Third Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1581266362179-8JTX4QUB95UF2MVVTQD3/Molly+Kalkstein.jpg</image:loc>
      <image:title>Input Events - Third Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1600028480498-W6YI4O0490S93WLWEWUB/Poindexter_photo+1.jpg</image:loc>
      <image:title>Input Events - Third Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1582580657297-CISTG5YDB34UINSTDE01/Lauren+Graves-Updated.jpg</image:loc>
      <image:title>Input Events - Third Annual Graduate Student Colloquium on the History and Theory of Photography</image:title>
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  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-5jzd8-mlaw8</loc>
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    <priority>0.5</priority>
    <lastmod>2019-12-10</lastmod>
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      <image:title>Input Events - Photography and Evidence</image:title>
      <image:caption>Angela Strassheim: Evidence No. 10. 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1576012084609-SG7WDKXJGKQZJX4QFVOS/Gary+Schneider+212.jpg</image:loc>
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    <image:image>
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      <image:title>Input Events - Photography and Evidence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1576012599539-UIJBYKP0WIAHEPZQ2Y47/CatherineZuromskis.jpg</image:loc>
      <image:title>Input Events - Photography and Evidence</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1576012822100-N4NGWHBOTZHCF0UBXDVL/Strassheim.jpg</image:loc>
      <image:title>Input Events - Photography and Evidence</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography-d77yy-np6hh-lhg5j-ml6a9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-10</lastmod>
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      <image:title>Input Events - College Art Association’s Code of Best Practices in Fair Use for the Visual Arts: A Workshop</image:title>
    </image:image>
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      <image:title>Input Events - Photography and Display</image:title>
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  <url>
    <loc>https://www.developingroom.com/event/the-developing-rooms-second-annual-graduate-student-colloquium-on-the-history-and-theory-of-photography</loc>
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      <image:title>Input Events - Second Annual Graduate Student Colloquium on the History And Theory of Photography</image:title>
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      <image:title>Input Events - Second Annual Graduate Student Colloquium on the History And Theory of Photography</image:title>
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      <image:title>Input Events - Second Annual Graduate Student Colloquium on the History And Theory of Photography</image:title>
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      <image:title>Input Events - Second Annual Graduate Student Colloquium on the History And Theory of Photography</image:title>
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      <image:title>Input Events - Second Annual Graduate Student Colloquium on the History And Theory of Photography</image:title>
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    <lastmod>2020-02-29</lastmod>
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      <image:title>Publications - Is Photomontage Over?</image:title>
      <image:caption>Is photomontage over? Does the juxtaposition of recontextualised photographic fragments, once the mainstay of critical avant-garde practice and radical activism in the burgeoning media age, carry any cultural and aesthetic urgency in the paradigm of the digital? Does the medium still have the power to rattle, agitate, or even shock with its pictorial and conceptual disjunctions? This special issue of History of Photography confronts such questions by exploring the possibility that photomontage has indeed run its course; that it may no longer serve as a point of critical inquiry, a potent object of historical research, or a forceful contemporary practice. Co-edited by Sabine Kriebel and Andrés Mario Zervigón, our contributors include Charlie White, Jindrich Toman, Matthew Biro, Susan Laxton, Virginia McBride, and the late David Evans, to whom the issue is dedicated. Find at History of Photography Taylor &amp; Francis Publication year: 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1582472996709-TWQ1NORSQZJ4DRCKGHAQ/Is+Photomontage+Over%3F+Cover.png</image:loc>
      <image:title>Publications - Is Photomontage Over?</image:title>
      <image:caption>Is photomontage over? Does the juxtaposition of recontextualised photographic fragments, once the mainstay of critical avant-garde practice and radical activism in the burgeoning media age, carry any cultural and aesthetic urgency in the paradigm of the digital? Does the medium still have the power to rattle, agitate, or even shock with its pictorial and conceptual disjunctions? This special issue of History of Photography confronts such questions by exploring the possibility that photomontage has indeed run its course; that it may no longer serve as a point of critical inquiry, a potent object of historical research, or a forceful contemporary practice. Co-edited by Sabine Kriebel and Andrés Mario Zervigón, our contributors include Charlie White, Jindrich Toman, Matthew Biro, Susan Laxton, Virginia McBride, and the late David Evans, to whom the issue is dedicated. Find at History of Photography Taylor &amp; Francis Publication year: 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1557508425905-5T9E81STJ6T03OKXV0AA/Screen+Shot+2017-09-25+at+9.11.36+PM.png</image:loc>
      <image:title>Publications - SUBJECTIVE OBJECTIVE: A CENTURY OF SOCIAL PHOTOGRAPHY</image:title>
      <image:caption>Edited by Donna Gustafson (Zimmerli Museum/Rutgers) and Andrés Mario Zervigón (Developing Room/Rutgers) Socio-documentary photography is one of the most emotional of all photographic genres. The clear pictorial language shows the passion of the photographer to bring about political and social change. This volume, related to an exhibtion of the same name at the Zimmerli Museum and a Developing Room symposium, assembles iconic works by photographers from the early 20th century to contemporary artists in large-format reproductions. Socio-documentary photography established itself in the 20th century and focuses on the lives of socially disadvantaged people. Pioneers like Berenice Abbott, Max Alpert, Walker Evans, LaToya Ruby Frazier, Gordon Parks, Alexander Rodchenko, Sebastião Salgado and Weegee – to name but a few of the photographers featured in the book – used their powerful photos on behalf of those people whom society largely ignores. The volume demonstrates impressively how the genre developed, how it spread in the United States, the Soviet Union and in other political systems, and the influence of today’s social media. Find at Hirmer Verlag Zimmerli Museum/Hirmer Verlag Publication Year:2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1582830247298-VF2SS9P2EXLTDHH7HU2L/9781138914612.jpg</image:loc>
      <image:title>Publications - Photography and Doubt</image:title>
      <image:caption>Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?  Edited by Sabine T. Kriebel and Andrés Mario Zervigón, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and whenphotography was as attuned to its myth-making capabilities as to its claims to authenticity. BUY Photography and Doubt at Routledge Routledge Books Publication Year:2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cd068c677b90375fdb02baa/1582830318963-GR493WKBS21AW62I7GA9/Final+Cover-iPhoto+edited+III.jpg</image:loc>
      <image:title>Publications - Photography and Its Origins</image:title>
      <image:caption>Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology. Routledge http://www.taylorandfrancis.com/books/details/9780415722902/ Publication Year: 2014</image:caption>
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      <image:title>Publications - FROM ETHIOPIA TO NEW JERSEY: PHOTOGRAPHY AND HIV/AIDS EDIT</image:title>
      <image:caption>For World AIDS Day 2010 the Developing Room joined forces with the Johnson &amp; Johnson Corporate Art Program to publish From Ethiopia to New Jersey: Photography and HIV/AIDS. This catalogue accompanied an exhibition of the same title held at the Johnson &amp; Johnson World Headquarters Gallery (November 22, 2010 - January 13, 2011). Edited by Tanya Sheehan, it includes essays by Sheehan, Ashley Atkins, and Ellen Brueckner as well as artwork by Eric Gottesman and the Ethiopian collective Sudden Flowers. To purchase a copy of From Ethiopia to New Jersey please contact us at developingroom@gmail.com. CONTRIBUTORS Foreward by Ashely Atkins Johnson &amp; Johnson Corporate Art Program Introduction by Ellen Brueckner Johnson &amp; Johnson Corporate Art Program Asking Questions Without Answers by Tanya Sheehan Rutgers University Artist Statement by Eric Gottesman Artist Statement, Photographs &amp; Art Works by Sudden Flowers Photographs - Art Works by Rutgers University students Johnson &amp; Johnson World Headquarters Gallery Publication Year:2010</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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